New Producers: Welcome to the Team!

Our producer team is growing! We are pleased to share the new producers recently added to our team. Learn a little more about them below! Chris Armogida  Christian Armogida began working in film at Village Roadshow Pictures where he was trained in Development and Physical Production. A lifelong horror nut, Christian put himself in the orbit of all the genre pictures VRP was working on with Dark Castle/Silver Pictures. In 2007, he moved on to Rogue Pictures, the genre division of Focus Features and Universal Pictures. Following Rogue’s sale to Relativity Media in 2008, Christian became Director of Development with Unbroken Pictures, an independent production company that focuses on elevated horror. Christian worked closely on projects such as He’s Out There, There Are Monsters, and Grim Night. He was also an Associate Producer on Bryan Bertino’s Mockingbird and Oz Perkins’ The Blackcoat’s Daughter (FKA February), which Christian discovered and helped develop. Most recently Christian has gone independent and created his own label, Nightshade Entertainment, which focuses on elevated horror and dark and edgy thriller material. Bill Daly Bill has been a television writer and producer for two decades and has written for eleven network comedies, including MIKE AND MOLLY starring Emmy-Award winning actress Melissa McCarthy, 8 SIMPLE RULES starring the late John Ritter, and GARY UNMARRIED starring Jay Mohr. Experienced in both multi-cam and single-cam half-hour formats, Bill has written and produced comedy series that have aired on CBS, NBC, ABC and Netflix. In addition to his own half-hour pilots — which were sold to ABC Family, Touchstone Television, Universal Studios, and CBS Studios — Bill has developed comedies with actors Courtney Cox, Keegan Michael Key...

New Producers: Welcome to the Team!

We are pleased to welcome these new producers to the Voyage Team! From Indie films to TV show dramas, our newly added producers have experience across the board. Let’s learn a little more about them! Wendie Margolis – Wendie is an independent producer and former studio executive with extensive development and production experience. She spent more than 14 years as an executive at Columbia Pictures, Universal Pictures, and Walt Disney Pictures. She has worked on projects like THE KARATE KID, GHOSTBUSTERS, BLUE THUNDER, OUT OF AFRICA, A LEAGUE OF THEIR OWN and CINDERELLA STORY. Annie Girard – Annie is a producer, writer, and performer who’s worked with major and independent studios including Disney, Comedy Central, Warner Brothers, Dreamworks TV, HGTV, and MTV with a focus on live action and animated comedy content for kids of all ages. Annie is known for her work on Disney’s CLUB PENGUIN, DONALD DUCK’S THREE CABALLEROS, and MOM TESTED. Daniel Forcey– Dan ran development for Platinum Studios for nearly a decade, spearheading studio projects like COWBOYS & ALIENS, indie films like DYLAN DOG: DEAD OF THE NIGHT and television series like Showtime’s JEREMIAH. He has also served as a consultant for Arcana Studios, overseeing both their animated and live-action projects, works as a consultant for Drama 3/4, and is partnered with Big Machine on a slate of films designed as Chinese co-productions.  Kris Hughes– Kris has over 10 years of experience developing, producing and writing children’s entertainment for independent studios as well as big networks such as Nickelodeon, Nick Jr and Netflix. Kris started her career as a sitcom writer for shows such as The Drew Carey Show and Freddie and continues to write...

Exclusive interview with Voyage Producer Elizabeth Kushman

Elizabeth is a 10-year veteran of the entertainment business. She got her start working for Wes Craven and went on to become a dynamic producer with many notable credits in the horror / thriller genre (you’ve seen many of them). Here’s what you can expect from the video: At 30 seconds, you’ll hear Elizabeth tell a funny story about her first two weeks working for Wes Craven.  At minute 2, hear all about Elizabeth’s background and most notable movie credits. At minute 3, learn how “RAPT” is going to help you break into Hollywood (it’s Elizabeth’s acronym for the 4 most important things creators must remember when trying to break into the industry).  At minute 7, hear about Elizabeth’s most exciting projects that she’s currently working on (a few of them happened to come out of Voyage!).  At minute 8, hear what kinds of projects Elizabeth is always looking for… and determine if Elizabeth is the best producer for you to work with on your project. At minute 9, learn what makes Elizabeth happy and why she finds working with emerging writers so fulfilling. Check it out! ...

What On Earth Is A “Graphic Screenplay”?!

Inside The Comic Book Industry’s Latest Cool Thing…  Let’s transport ourselves to a simpler time for just a moment… Imagine you’re back in middle school and your favorite limited edition comic book has just been released… You and your friends race to the local comic book shop after school to get your hands on the newest edition of “Captain America” or “Wonder Woman.” You wait patiently in line, with 25 cents burning a hole in your pocket… Finally, you get up to the counter and hand your pocket change to the clerk who slides over the goods. At last you get your hands on your coveted new comic book… And as you begin to flip the pages, a whole other world emerges… While this may or may not have been a reality for you, we can all agree that comic books and graphic novels have played an important role in pop culture and media. What you may or may not know is that there’s a thriving digital marketplace for NEW comics and NEW graphic novels with distribution and sales portals populating various corners of the Internet with readers of all ages scrambling to get their hands on the latest thing. And while we all know many of the blockbusters films we’ve come to know and love are based on comics from Marvel and DC, you may not know that comics and graphic novels have paid a very significant role in the development and sale of numerous other movies and TV series, some of which might surprise you… -30 DAYS OF NIGHT  -CONSTANTINE  -MYSTERY MEN – 300  -HELL BOY  -THE...

Inspiring Passion In Your Audience – With Bonnie Solomon

How to make your audience care about what’s important to YOU, and use your voice to provoke social action…not reaction What does it take to get an audience to care about ingrained political and global issues? How can you inspire empathy in your viewers? And what social responsibility does the creative have to their wider audience? Bonnie Solomon tackles these questions and more in our latest Voyage producer interview. Oscar Wilde once famously wrote, “If you want to tell people the truth, make them laugh, otherwise they’ll kill you.” This is a quote that rings very true to the tone of Bonnie Solomon’s work dealing with hot-button, sometimes uncomfortable-to-talk-about social issues. But death, continues Solomon, is of course not the only possible outcome when you need to convince an audience that the truth is relevant and important to their own lives. “They’ll kill you,” says Solomon, “…or they’ll completely tune you out, and watch the Kardashians.” When your goal is to make people listen, you must grab their attention as soon as possible, or their inaction will make future change impossible. Audience boredom is certainly a frustration for many writers, and for Solomon it means that the urgency of her issues aren’t getting through to the people who might need to hear them the most. Of course, not all of us writers are social activists, nor do we specifically call on those themes within our own work. However, what is striking about Solomon’s work is how she strives to inspire a strong ethical sense in her audience, through only the language of film. Knowing how to engage an audience...

Producer Rapport in Hollywood with John Crye

John Crye, Producer Find out how to make Hollywood producers want to work with you again and again by building producer rapport using advice from industry veteran, John Crye. As part of our ongoing series, which asks our producers about their work in the entertainment business, I talked with John Crye, a current Hollywood producer and Voyage team member, about his work in the industry. Here you can read some of his own personal advice on building producer rapport in Hollywood, what a writer can do to make a producer’s life easier–and get them to fall in love with your script while they’re at it. Crye–the former director of Creative Affairs at Newmarket Films, who had a hand in acquiring such modern-day classics as Donnie Darko, Memento, and Whale Rider–has more recently moved on to independent writing, directing, and producing. In his many years in the entertainment business, he’s learned a lot from experience about the production world and the professionals who inhabit it. I asked him about any advice he had to give to writers thinking about entering the business, from the perspective of someone who had not only written himself but also worked extensively with writers as a producer. A common theme tended to reappear in his advice: understanding your producer’s needs is crucial to getting your story made in a way that’s satisfying for everyone. In the most basic terms: you need to make their job as easy as possible. So the question remains: why do YOU need to make their job easy? Aren’t THEY supposed to work for YOU? While a producer is indeed there...

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