by Voyage | Sep 22, 2016 | Blog post, Entertainment Business, Pitching, Presentations, Screenwriting Tips
As creator of the TV series EXTANT, Mikey Fisher certainly knows a thing or two about it and he’s recently written about his experiences in this eye-opening story below. He recounts every moment on his roller-coaster journey, from figuring out which screenwriting contests to enter, to how to choose an agent, to doing a conference call with Spielberg. This document is a veritable How-To on breaking into the TV business. And for more tips and tools on the screenwriter’s trade, stay connected via Voyage Media. We make stories like Mikey’s happen every day for our clients. __________ ANSWERS TO QUESTIONS I’VE BEEN ASKED -MIKEY FISHER WHY I WROTE THIS: The day I turned forty years old I sold my first big script, a tv pilot for a new show called EXTANT. One of the Executive Producers was Steven Spielberg, it starred Oscar Winner Halle Berry, and got a straight to series order for thirteen episodes from CBS. I was made an Executive Producer as well and spent two years learning how to make television at the highest level. It was my first job in Hollywood. A lot of people are going to tell you that it NEVER happens that way. But it DID happen and to quote David Mamet from THE EDGE, “What one man (or woman) can do, another man (or woman) can do.” So I’m passing along what I learned from my personal experience. I know it’s not going to happen for everyone the same way and there will be plenty here that other people will disagree with. This is just one guy’s overall experience from writing the pilot to...
by Voyage | Feb 4, 2016 | Blog post, Entertainment Business, Pitching, Presentations, Screenwriting Tips
Writers create screenplays to be viewed. At least theoretically, no movie script was ever written for the purpose of being ‘read’ by an audience. Actors, producers and directors, of course, read scripts all the time, and they are a key audience for young, up-and-coming screenwriters, but these professionals are also viewers too, right? They, like general audiences, want to see, view or watch a script, not be forced to read it. We all want it visualized for us, largely, because it’s just easier. There’s less work involved. It takes time, concentration and energy to read a screenplay, but anyone can collapse on a sofa, turn on a movie and watch it… just kind of skim through it. So doesn’t it make sense that a script should share that essence and be designed for skimming, and not reading? I think so. Especially since we’re talking about an industry that’s famous for not always reading material cover-to-cover. When any written document makes for a skimmable read, it rolls off the page. It’s digestible. You see it in your mind and understand it immediately. Ironically, it’s kind of like watching a movie. Yet a large majority of scripts, even those by working professionals, are constructed in a way that hinders the visual flow of the story, and I’m not just talking about using more active, visually potent language. Although it’s rarely written about in the best screenwriting books, avoidable words, grammar and even punctuation often obstruct both clarity and dramatic impact, yet screenwriters go back to them time and again because that’s the tradition. Why? Why create a screenplay using the tools...
by Voyage | Nov 30, 2015 | Entertainment Business, Pitching, Screenwriting Tips
How rethinking your writing can help you bounce back from rejection You don’t need me to tell you that rejections are tough. The stories we tell, the ones we really care about and want to see come to life, are our darlings. They’re the result of hard work and tough love. When you’ve got a story that you’ve slaved away on for weeks, months, or even years of your life, it can be crushing to take that project to a producer and be told it’s not what they want. Worse—they might not even respond to you at all! So how are you, as a writer, expected to traverse the minefield of rejection and criticism we call “Hollywood”? You only have a few minutes, at most, to capture their attention… So what do you say and do to get that producer interested in your book or script? First: don’t panic. Rejection is just as much a part of writing as hand cramps and eye strain. Even the greatest writers can get rejected at the height of their established careers. By nature of marketing to the changing landscape of film, not everything you write is going to find its audience on the first go around. It’s what you do next after your script gets sent back to your doorstep that really counts. Before you plan your next move, it’s important to understand the two types of feedback you can get from a producer… The useful… And the unreliable… If you’ve gotten critical feedback from a producer who’s read your script, you’re already a step ahead on the road to improving your writing’s marketability....
by Voyage | Oct 8, 2015 | Audience, Blog post, Entertainment Business, Font Page, Pitching, Presentations, Producer Interviews, Screenwriting Tips, The Expert Network
Inside The Comic Book Industry’s Latest Cool Thing… Let’s transport ourselves to a simpler time for just a moment… Imagine you’re back in middle school and your favorite limited edition comic book has just been released… You and your friends race to the local comic book shop after school to get your hands on the newest edition of “Captain America” or “Wonder Woman.” You wait patiently in line, with 25 cents burning a hole in your pocket… Finally, you get up to the counter and hand your pocket change to the clerk who slides over the goods. At last you get your hands on your coveted new comic book… And as you begin to flip the pages, a whole other world emerges… While this may or may not have been a reality for you, we can all agree that comic books and graphic novels have played an important role in pop culture and media. What you may or may not know is that there’s a thriving digital marketplace for NEW comics and NEW graphic novels with distribution and sales portals populating various corners of the Internet with readers of all ages scrambling to get their hands on the latest thing. And while we all know many of the blockbusters films we’ve come to know and love are based on comics from Marvel and DC, you may not know that comics and graphic novels have paid a very significant role in the development and sale of numerous other movies and TV series, some of which might surprise you… -30 DAYS OF NIGHT -CONSTANTINE -MYSTERY MEN – 300 -HELL BOY -THE...
by Voyage | Sep 11, 2015 | Entertainment Business, Producer Interviews, Screenwriting Tips, The Expert Network
John Crye, Producer Find out how to make Hollywood producers want to work with you again and again by building producer rapport using advice from industry veteran, John Crye. As part of our ongoing series, which asks our producers about their work in the entertainment business, I talked with John Crye, a current Hollywood producer and Voyage team member, about his work in the industry. Here you can read some of his own personal advice on building producer rapport in Hollywood, what a writer can do to make a producer’s life easier–and get them to fall in love with your script while they’re at it. Crye–the former director of Creative Affairs at Newmarket Films, who had a hand in acquiring such modern-day classics as Donnie Darko, Memento, and Whale Rider–has more recently moved on to independent writing, directing, and producing. In his many years in the entertainment business, he’s learned a lot from experience about the production world and the professionals who inhabit it. I asked him about any advice he had to give to writers thinking about entering the business, from the perspective of someone who had not only written himself but also worked extensively with writers as a producer. A common theme tended to reappear in his advice: understanding your producer’s needs is crucial to getting your story made in a way that’s satisfying for everyone. In the most basic terms: you need to make their job as easy as possible. So the question remains: why do YOU need to make their job easy? Aren’t THEY supposed to work for YOU? While a producer is indeed there...
by Voyage | Aug 5, 2015 | Audience, Entertainment Business, Screenwriting Tips
How to untangle the web “Googling yourself” has sort of become the punchline of the digital era—it’s degraded as a vain and silly pastime of the erstwhile millennial. But let’s not get ahead of ourselves here. Far from just an ego trip, Googling yourself can be crucial to building your online presence as a writer. I’d like to encourage you to Google yourself right now. Take a moment, I’ll wait. What are some of the first pages that pop up. Your social media sites—Facebook, Twitter, LinkedIn, your personal blog? Or is Google drawing a big blank? There is a time and a place for the reclusive, mysterious, off-the-grid writer—but falling into that description can be dangerous for the up and coming. The Internet makes it easier than ever for producers, directors, and financiers to find out what you’re all about. And social media searching has become more and more commonplace as a tool for weeding out the unprofessional or unmotivated writers from the writers with serious passion and marketability. Make no mistake: the question on the forefront of a producer’s mind is going to be “how can I market this?” If your website or blog has any sort of following, it means your Internet presence comes with a built-in audience AND that you’ve already got a huge advantage over the throngs of other writers trying to get noticed! It gives the producer a sort of “cheat” into your market—they’ll thank you for having less work to do to create a finished product that people will watch. With so much riding on the kind of persona you exhibit online, there’s...
