by Voyage | Oct 8, 2015 | Entertainment Business, Producer Interviews
How to make your audience care about what’s important to YOU, and use your voice to provoke social action…not reaction What does it take to get an audience to care about ingrained political and global issues? How can you inspire empathy in your viewers? And what social responsibility does the creative have to their wider audience? Bonnie Solomon tackles these questions and more in our latest Voyage producer interview. Oscar Wilde once famously wrote, “If you want to tell people the truth, make them laugh, otherwise they’ll kill you.” This is a quote that rings very true to the tone of Bonnie Solomon’s work dealing with hot-button, sometimes uncomfortable-to-talk-about social issues. But death, continues Solomon, is of course not the only possible outcome when you need to convince an audience that the truth is relevant and important to their own lives. “They’ll kill you,” says Solomon, “…or they’ll completely tune you out, and watch the Kardashians.” When your goal is to make people listen, you must grab their attention as soon as possible, or their inaction will make future change impossible. Audience boredom is certainly a frustration for many writers, and for Solomon it means that the urgency of her issues aren’t getting through to the people who might need to hear them the most. Of course, not all of us writers are social activists, nor do we specifically call on those themes within our own work. However, what is striking about Solomon’s work is how she strives to inspire a strong ethical sense in her audience, through only the language of film. Knowing how to engage an audience...
by Voyage | Sep 23, 2015 | Blog post, Book to Film, Entertainment Business, Pitching
(HINT: You don’t need a lit agent) When was the last time you were at the movies? If it was sometime in the past 50 years of so (please tell me it was!), then chances are you caught a flick that was based on a book. Book adaptations have always been a source of compelling content (think Jaws and the first Jurassic Park), but more recently, adaptations have become one of the fastest growing, most reliably profitable and attractive markets for producers in Hollywood (think Hunger Games and Harry Potter). Authors everywhere are gaining more and more traction with producers looking for compelling stories to be adapted for film and television… So where do you start? Traditionally, authors begin by looking for a literary agent who would then connect them with producers and agents in the entertainment industry, and act as their calling card to success in Hollywood. Well I’m here to tell you that is not [always] the case… If you are a well-known author who already has a large following of fans and readers, then this traditional route will be effective for you because a lit agent has pull with producers. A lit agent’s job is basically to make a producer’s life easier by acting as a middleman between writers and producers. But… If you are an author who is just starting out or still working to figure out how to gain traction for yourself and your book(s), then going the lit agent route is not your best option. Here’s why: Literary agents are very focused on the projects that will provide an easy transaction with guaranteed...
by Voyage | Sep 11, 2015 | Entertainment Business, Producer Interviews, Screenwriting Tips, The Expert Network
John Crye, Producer Find out how to make Hollywood producers want to work with you again and again by building producer rapport using advice from industry veteran, John Crye. As part of our ongoing series, which asks our producers about their work in the entertainment business, I talked with John Crye, a current Hollywood producer and Voyage team member, about his work in the industry. Here you can read some of his own personal advice on building producer rapport in Hollywood, what a writer can do to make a producer’s life easier–and get them to fall in love with your script while they’re at it. Crye–the former director of Creative Affairs at Newmarket Films, who had a hand in acquiring such modern-day classics as Donnie Darko, Memento, and Whale Rider–has more recently moved on to independent writing, directing, and producing. In his many years in the entertainment business, he’s learned a lot from experience about the production world and the professionals who inhabit it. I asked him about any advice he had to give to writers thinking about entering the business, from the perspective of someone who had not only written himself but also worked extensively with writers as a producer. A common theme tended to reappear in his advice: understanding your producer’s needs is crucial to getting your story made in a way that’s satisfying for everyone. In the most basic terms: you need to make their job as easy as possible. So the question remains: why do YOU need to make their job easy? Aren’t THEY supposed to work for YOU? While a producer is indeed there...
by Voyage | Aug 10, 2015 | Audience, Book to Film, Entertainment Business, Pitching
The Key to Getting Your Project into Production For creators like us, generating content comes pretty naturally (excluding the occasional writers block of course). That’s why we do what we do. But as you probably have experienced first hand, writing and conceptualizing isn’t always the hard part; it’s money. Finding investors who are interested in funding your project can be incredibly difficult. It’s the ultimate catch 22 in a creator’s life—investors want to give money to projects that are well known and bound for success, but a project can’t become well known and successful without money from investors. If you don’t have a very generous great uncle waiting in the wings to donate to your creative project, I have the perfect solution to help you out with this age-old dilemma… ***Crowdfunding*** Crowdfunding is the practice of funding a project or venture by raising many small amounts of money from a large number of people, typically via the Internet (google.com). Whether or not you’ve heard of crowdfunding before, I’m here to tell you that it should absolutely be on your radar as a tool to finance part (or all) of your project. Websites like Kickstarter.com and Indiegogo.com give you the chance to get your project or ideas off the ground without having to go out and solicit investors the traditional way. These crowdfunding platforms by nature create a reciprocal relationship between investors (who pledge money) and creators (who offer various perks to backers who donate). And it works because everyone is benefiting from the partnership, and the momentum that comes with having so many supporters is exactly what you...
by Voyage | Aug 5, 2015 | Audience, Entertainment Business, Screenwriting Tips
How to untangle the web “Googling yourself” has sort of become the punchline of the digital era—it’s degraded as a vain and silly pastime of the erstwhile millennial. But let’s not get ahead of ourselves here. Far from just an ego trip, Googling yourself can be crucial to building your online presence as a writer. I’d like to encourage you to Google yourself right now. Take a moment, I’ll wait. What are some of the first pages that pop up. Your social media sites—Facebook, Twitter, LinkedIn, your personal blog? Or is Google drawing a big blank? There is a time and a place for the reclusive, mysterious, off-the-grid writer—but falling into that description can be dangerous for the up and coming. The Internet makes it easier than ever for producers, directors, and financiers to find out what you’re all about. And social media searching has become more and more commonplace as a tool for weeding out the unprofessional or unmotivated writers from the writers with serious passion and marketability. Make no mistake: the question on the forefront of a producer’s mind is going to be “how can I market this?” If your website or blog has any sort of following, it means your Internet presence comes with a built-in audience AND that you’ve already got a huge advantage over the throngs of other writers trying to get noticed! It gives the producer a sort of “cheat” into your market—they’ll thank you for having less work to do to create a finished product that people will watch. With so much riding on the kind of persona you exhibit online, there’s...
by Voyage | Jul 13, 2015 | Entertainment Business, Screenwriting Tips
5 questions you must immediately ask yourself upon finishing the first draft of your script Congratulations! You’ve finished your script! Now what? Well, give yourself a pat on the back and take a moment to appreciate your labor of love… Now roll up your sleeves and make a fresh pot of coffee because it’s time to get back to work! The first thing you should do immediately upon finishing your first draft is think about your next draft, and that means asking yourself some tough yet necessary questions. No, we don’t mean, “What’s for lunch?” (although that’s a pretty important question too). We mean that you need examine your draft with a keen and honest eye in order to zero in on its strengths and weaknesses. That way, you can make your second draft all the more intriguing and marketable. As you probably already know, this town is filled with scripts…producers and agents are literally buried in them. And on every desk there are lots of good scripts, but there are not a lot of great scripts. If your script doesn’t grab the attention of the producer, agent, or director in the first 5-10 pages, you can assume that he or she is going to move on to the next one in the sky-high stack on their desk/kitchen table/floor (you get the picture). But here’s the problem…re-writes can seem about as daunting as doing your high school math homework. But don’t worry because we’ve got your back! To help make your script a standout on Mr. Producer’s desk (while also avoiding the feeling that you’re back in Algebra I), we’ve come...
