The Logline: a magical sentence that will make Hollywood want your book

A guide to understanding and mastering the logline  Maybe you’re an author who has been working on perfecting your logline for months (or years). Or perhaps you’re familiar with what a logline is, but aren’t quite sure how to write one for your own story… Or perhaps you have no idea what a logline is or the first thing about writing one… Whatever the case may be, we are here to help break it all down for you! An effective logline is a critical element of attracting producers and buyers to your book or story… What is a Logline? A logline is a one or two sentence description of your story that boils down its basic premise in a way that’s concise yet evokes emotion in your reader. It should not only convey the basis of your book, but also give your reader some poignant insight into the story as a whole. Here’s an example of a great logline…. Blacksmith Will Turner teams up with eccentric pirate “Captain” Jack Sparrow to save his love, the governor’s daughter, from Jack’s former pirate allies, who are now undead. (PIRATES OF THE CARIBBEAN)  Loglines are an essential component to packaging and marketing any project – you can even think of them as the basic DNA of storytelling. If you have a compelling logline, you’ll have a much better chance of hooking potential buyers and leave them wanting more – and that’s what you want! Tell your reader exactly why they should take time out of their busy schedule to read your story…. Work on answering the question, “What sets my story apart from...

The Skimmable Screenplay

Writers create screenplays to be viewed.  At least theoretically, no movie script was ever written for the purpose of being ‘read’ by an audience. Actors, producers and directors, of course, read scripts all the time, and they are a key audience for young, up-and-coming screenwriters, but these professionals are also viewers too, right? They, like general audiences, want to see, view or watch a script, not be forced to read it. We all want it visualized for us, largely, because it’s just easier. There’s less work involved. It takes time, concentration and energy to read a screenplay, but anyone can collapse on a sofa, turn on a movie and watch it… just kind of skim through it. So doesn’t it make sense that a script should share that essence and be designed for skimming, and not reading? I think so. Especially since we’re talking about an industry that’s famous for not always reading material cover-to-cover. When any written document makes for a skimmable read, it rolls off the page. It’s digestible. You see it in your mind and understand it immediately. Ironically, it’s kind of like watching a movie. Yet a large majority of scripts, even those by working professionals, are constructed in a way that hinders the visual flow of the story, and I’m not just talking about using more active, visually potent language. Although it’s rarely written about in the best screenwriting books, avoidable words, grammar and even punctuation often obstruct both clarity and dramatic impact, yet screenwriters go back to them time and again because that’s the tradition. Why? Why create a screenplay using the tools...

2015: A Year In Review!

It’s been a successful year here at Voyage and we have a lot for which to be grateful. First and foremost, we want to thank you for being a part of our incredible family of creators! Without you and your hard work, none of these wins would have been possible. Before we get swept up in 2016, we want to take a moment to reflect and highlight some of our wins from 2015. BREAKING NEWS We’re thrilled to announce that our Original scripted feature, THE GOD HELMET, has obtained 50% financing (yes, actually in the bank) and fingers are crossed it goes into production in Q1. Also, our feature documentary, VALLEY UPRISING, had a huge run theatrically screening in over 45 countries with total attendance in excess of 100,000. It also attained a primetime release on Discovery, and is now available in a premium Vimeo window. Finally, it attained over 5 Grand Prizes at all the major adventure festivals including the prestigious Grand Prize at Banff. THE NEW WEBSITE We set some lofty goals for 2015, and none bigger nor more important than building our new website. The goal was to create an online platform where you could Get Connected with experienced producers such as yourself, Get Educated with over 400 video trainings on how to create marketable projects that will sell, and Become an Original. The site is a huge success! Hundreds of creators like you are ordering, booking, and uploading materials to the website for their strategy sessions. And hundreds more have have enrolled in our LAUNCHpad program, a monthly subscription service where you get on demand access to all...

5 Tips To Pitch Producers Like A Pro

  Deliver Your Best Producer Pitch You already know how important it is for newcomers who want to break into the Hollywood market to get their story in front of the right executives. But we haven’t really touched on what happens when you finally do land a meeting with that big-shot producer at that high-powered studio or network? You only have a few minutes, at most, to capture their attention… So what do you say and do to get that producer interested in your book or script? Here are 5 tips to help you craft your perfect pitch and blow that Hollywood exec out of the water with your movie or television show idea: 1. Be The Expert Of Your Story Prove that YOU are the perfect writer to tackle your concept. In order to do this, you must have confidence in yourself, your project and where it’s headed. You should also establish your specific connection to this story. What inspired you to write this specific story in this particular way? Insert your personality, voice and/or experience into your pitch. 2. Keep It Simple Don’t try to do too much with your pitch. You need to boil your story down to the most important elements by highlighting the big picture concept of your story. Include your hook, main concept, and a couple of sentences about your main character so it’s clear whom the story will follow. Establish why the producer should care to connect to that specific character. 3. Your Characters Are The Key Conflict drives a story and keeps people interested. So keep your characters at the forefront...

What On Earth Is A “Graphic Screenplay”?!

Inside The Comic Book Industry’s Latest Cool Thing…  Let’s transport ourselves to a simpler time for just a moment… Imagine you’re back in middle school and your favorite limited edition comic book has just been released… You and your friends race to the local comic book shop after school to get your hands on the newest edition of “Captain America” or “Wonder Woman.” You wait patiently in line, with 25 cents burning a hole in your pocket… Finally, you get up to the counter and hand your pocket change to the clerk who slides over the goods. At last you get your hands on your coveted new comic book… And as you begin to flip the pages, a whole other world emerges… While this may or may not have been a reality for you, we can all agree that comic books and graphic novels have played an important role in pop culture and media. What you may or may not know is that there’s a thriving digital marketplace for NEW comics and NEW graphic novels with distribution and sales portals populating various corners of the Internet with readers of all ages scrambling to get their hands on the latest thing. And while we all know many of the blockbusters films we’ve come to know and love are based on comics from Marvel and DC, you may not know that comics and graphic novels have paid a very significant role in the development and sale of numerous other movies and TV series, some of which might surprise you… -30 DAYS OF NIGHT  -CONSTANTINE  -MYSTERY MEN – 300  -HELL BOY  -THE...

3 Tips For How To Get Your Book In Front Of A Hollywood Producer

(HINT: You don’t need a lit agent) When was the last time you were at the movies? If it was sometime in the past 50 years of so (please tell me it was!), then chances are you caught a flick that was based on a book. Book adaptations have always been a source of compelling content (think Jaws and the first Jurassic Park), but more recently, adaptations have become one of the fastest growing, most reliably profitable and attractive markets for producers in Hollywood (think Hunger Games and Harry Potter). Authors everywhere are gaining more and more traction with producers looking for compelling stories to be adapted for film and television… So where do you start? Traditionally, authors begin by looking for a literary agent who would then connect them with producers and agents in the entertainment industry, and act as their calling card to success in Hollywood. Well I’m here to tell you that is not [always] the case… If you are a well-known author who already has a large following of fans and readers, then this traditional route will be effective for you because a lit agent has pull with producers. A lit agent’s job is basically to make a producer’s life easier by acting as a middleman between writers and producers. But… If you are an author who is just starting out or still working to figure out how to gain traction for yourself and your book(s), then going the lit agent route is not your best option. Here’s why: Literary agents are very focused on the projects that will provide an easy transaction with guaranteed...

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