It’s Time!

4 Steps To Finally Writing Your Book   So here you are with a great idea for a book. Maybe it’s your own story, a story based on true events, or simply an awesome idea. You may have even been sitting on this story for months or years. Well it’s time to finally do something about it… But where do you start? I’m glad you asked 🙂 Whether you’re working on your tenth book or your first, use these steps to get that story out of your head and on paper. Decide what the book is about  You may be thinking to yourself, “Yeah, obviously.” But you’d be surprised at how difficult this step can actually be. Let’s say you have a compelling life story—but you have so much material (your whole life!) to draw from that it can be overwhelming. It’s important to boil down the main plot points early on in the writing process so as not to get bogged down in the details. It’s also a good idea to decide on the goal length of your book at this stage too. That way, you can more easily outline the book ahead of time (and not end up with a 100,000 word epic-novel based on that one week you spent abroad in college). Set a daily word count goal We’re all busy. We all have things going on that could stop us from writing. But if now is the right time for you, you need to make time for it. Make it part of your daily routine, like brushing your teeth or walking the dog. Even if...

How to Produce a Micro-Budget Film

By: Dan Benamor, Voyage Producer  In film, there may be no key creative more marginalized than the screenwriter. Screenwriters are fired and re-hired, rewritten and written out, and generally cede power to the director, producers, studio executives, and so on in the filmmaking process. If you are fortunate enough to sell a screenplay, once you as the writer have signed on the dotted line, you relinquish control. The writer is often on the low end of the totem pole in the film world, but it’s a reality screenwriters usually have to come to terms with. As tough as it may seem sometimes to break through and maintain a creative vision of your script as described above, there is an exception to this rule… You can decide to produce a micro-budget screenplay. Taking this journey will require a screenwriter to utilize skillsets more akin to a producer, and/or (if so desired) a director. But by taking control of your own career in this way, you can guide the process, both creatively and pragmatically (there’s no one to blame but yourself if the film is not made). Micro-budget films can be made for extremely low budgets with the modern state of film technology. Crowdfunding has become a valuable resource to the micro-budget filmmaker, and on the back end of the process, VOD has democratized everything. A case in point here is a film I co-wrote, INITIATION.  The film was released on just about every VOD platform last August. That means that if you are scrolling through VOD titles on ITunes or Amazon or any other VOD platform, you could easily find my film...

What is a Screen-Plography?

By Tom Cartier Screenplay + Biography= Screen-Plography. In movie form they’re known as bio-pics, and throughout the history of cinema, Hollywood has always had an insatiable appetite for them. But before going any further, a disclaimer alert… I would never condone anyone trying to sell a film based on someone else’s life without first securing their rights. When shopping a project on the open market, always secure the rights first. However, if you’re just looking to make a big splash as a screenwriter or simply trying to get read, by all means. So long as no money changes hands, and the project is used strictly as a calling card, this can potentially work as a strategy that’s launched many a career. First and foremost, the basic story should be about someone who has done something extraordinary. The origin story of George Washington. Ted Kennedy’s ordeal at Chappaquiddick. The tale of how Francis Ford Coppola created his masterpiece The Godfather against all odds. All three of these ideas are scripts, currently making in-roads in Hollywood for the writers who created them; and all are great examples of what I consider to be Screen-Plographies. The key to it all is composing that perfect mix of personality and story, that flashpoint where truth and fiction collided to evoke something spectacular; a world where the truth actually did become stranger, and more arresting, than fiction. Oftentimes, it’s about telling the story of how a given person achieved fame, changed the world or made history. But just as frequently, it’s about that uncovered gem, that little known chapter in a well-known person’s life that’s absolutely riveting. Being a household name certainly...

From Unpublished Author to Hollywood’s A-List

Getting Lucky in Hollywood It’s no secret that Hollywood producers and directors are always on the hunt for the next best movie concept. What’s not so obvious is where they’re looking to find these ideas for their next Blockbuster sweep. Drumroll please…they’re looking at books (even self-published or unpublished ones)! Now, you may be thinking to yourself, “Voyage Media is talking crazy.” But I promise you we’re not! Think about it. A book is already a fully baked idea, complete with an established plotline and solid characters and a built-in audience, whereas a screenplay may be unknown and in various stages of development. Hollywood execs are all about immediate gratification when it comes to looking for their next project because, let’s face it, it’s all about the money. So from a buyer’s perspective, a book holds more weight than a screenplay because it’s more economically viable for them in that moment. Take for instance the self-published book turned Academy award nominated Hollywood adaptation The Martian. Its author Andy Weir found wild success practically overnight after releasing the book chapter-by-chapter online, and then on Amazon’s self-publishing arm where it caught the attention of a producer…and the rest is history. As the movie has begun to gain traction, so has the book, and vice versa. This is another reason Hollywood producers love a book adaptation…the book and the movie provide built-in cross-promotion. They feed off of each other which means more $$$ for everyone involved. After word got out that The Martian was being made into a movie, the book debuted on the New York Times best-seller list at No. 12 in March...

Launching Voyage 3.0

The ‘Voyage 3.0 Master Plan.’  We completed Voyage 1.0 and 2.0, which basically consisted of: 1.0  – Provide emerging storytellers with direct access to high level producers 2.0  – Nurture storytellers with quality education and training, and facilitate production of their projects The reason we built 1.0 and 2.0 was to prove the thesis that non-professional storytellers could be made professional with access to quality information and producer-mentorship. We proved the thesis as we were able to produce and distribute 4 projects, finance an additional 3, facilitate deals on over 40, get paid writing assignments to over 30 writers, and facilitate 45 authors in becoming bestsellers. With 3.0, we’re adding the final building blocks of our audacious vision: A thriving community of storytellers and a revolutionary, heart-centered way to create, share, and earn from the transcendent art of film and television storytelling. The cornerstone of Voyage 3.0 is to align our entire family – you and us – in an economic and creative future that has us ‘in it together’.    We’re inspired and deeply moved by a future where storytellers control their own destiny, are creatively fulfilled, and contribute to and benefit from each others’ success. Like United Artists did in 1919, we’re establishing the first modern creator-owned studio, complete with its own production financing that’s not dependent on the outdated and exploitative studio/agency system. Here’s what we aim to accomplish by 2021: Have a thriving community of 1 million creators, that are economically aligned and supportive of one another Produce 34 movies and 12 TV series that come directly from our community and with our own financing...

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