Natasha Stephan

Producer

CLOUDY WITH A CHANCE OF MEATBALLS 2
SMURFS 2
HOTEL TRANSYLVANIA

What I’m Looking For:
DRAMATIC THRILLERS, ROMANTIC COMEDIES, BROAD COMEDIES, FAMILY ENTERTAINMENT, INTELLECTUAL PROPERTY, and most other genres with franchise potential.

About Me:

Born and raised in Los Angeles, Natasha began her career in the entertainment industry working as a post production coordinator in VFX. After learning a great deal about the post production process, she decided to explore her passion for storytelling by working for a literary manager with clients in film, television, and theater, where she was able to work with various writers on how to craft pitches for various projects.

A few years later, Natasha then went to work for Buena Vista Motion Picture Group and was fortunate enough to work alongside an experienced team of executives responsible for features such as DARK WATER, LADDER 49, A LOT LIKE LOVE, and various other live action features. After her time at BVMPG, Natasha explored opportunities at Paramount Pictures and Nickelodeon Movies where she supported a strong development team responsible for THE SPIDERWICK CHRONICLES, NACHO LIBRE, BARNYARD, and DREAMGIRLS. Armed with the knowledge from her previous positions, Natasha then made a move to Happy Madison Productions where she started as a development assistant and later transitioned into the position of story editor for the feature side of the company.

While at Happy Madison, Natasha was able to work on films such as I NOW PRONOUNCE YOU CHUCK AND LARRY, and THE HOUSE BUNNY. Natasha’s next stop was at a below-the-line agency where she coordinated the feature department and championed a strong roster of line producers, cinematographers, editors, productions designers, and costume designers and credits this position with providing her with a stronger grasp of the overall filmmaking process. Sometime later, Natasha served as part of the Sony Pictures Animation development team for various successful animated franchise properties including HOTEL TRANSYLVANIA, SMURFS 2, and CLOUDY WITH A CHANCE OF MEATBALLS 2, and has spent the past few years consulting for production companies such as Happy Madison Productions, as well as domestic and international financiers.

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Select from the options below to begin the journey of bringing your project to the Hollywood market.

  • Pitch a Producer

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    Pitch your book adaptation, film/TV idea, or script concept directly to Tom Butterfield. If your application is accepted, Tom Butterfield will review your short submission, then spend an hour with you by phone - you’ll pitch your story and share your vision and goals. Tom Butterfield will then provide you with insight into which market your story is best suited, and deliver a written strategic road map for how best to develop and market it to
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    Pitch your book adaptation, film/TV idea, or script concept directly to Kris Hughes. If your application is accepted, Kris Hughes will review your short submission, then spend an hour with you by phone - you’ll pitch your story and share your vision and goals. Kris Hughes will then provide you with insight into which market your story is best suited, and deliver a written strategic road map for how best to develop and market it to
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  • Pitch a Producer

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    Pitch your book adaptation, film/TV idea, or script concept directly to Annie Girard. If your application is accepted, Annie Girard will review your short submission, then spend an hour with you by phone - you’ll pitch your story and share your vision and goals. Annie Girard will then provide you with insight into which market your story is best suited, and deliver a written strategic road map for how best to develop and market it to
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  • Pitch a Producer

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    Pitch your book adaptation, film/TV idea, or script concept directly to Dani/Michelle Forsyth. If your application is accepted, Dani/Michelle Forsyth will review your short submission, then spend an hour with you by phone - you’ll pitch your story and share your vision and goals. Dani/Michelle Forsyth will then provide you with insight into which market your story is best suited, and deliver a written strategic road map for how best to develop and market it to
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  • Pitch A Producer

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    Pitch your book adaptation, film/TV idea, or script concept directly to Daniel Forcey. If your application is accepted, Daniel Forcey will review your short submission, then spend an hour with you by phone - you’ll pitch your story and share your vision and goals. Daniel Forcey will then provide you with insight into which market your story is best suited, and deliver a written strategic road map for how best to develop and market it to
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  • Pitch A Producer

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    Pitch your book adaptation, film/TV idea, or script concept directly to Robert Mitas. If your application is accepted, Robert Mitas will review your short submission, then spend an hour with you by phone - you’ll pitch your story and share your vision and goals. Robert Mitas will then provide you with insight into which market your story is best suited, and deliver a written strategic road map for how best to develop and market it to
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  • Pitch A Producer

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    Pitch your book adaptation, film/TV idea, or script concept directly to Gary Shapiro. If your application is accepted, Gary Shapiro will review your short submission, then spend an hour with you by phone - you’ll pitch your story and share your vision and goals. Gary will then provide you with insight into which market your story is best suited, and deliver a written strategic roadmap for how best to develop and market it to the film/TV
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  • Pitch A Producer

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    Pitch your book adaptation, film/TV idea, or script concept directly to Wendie Margolis. If your application is accepted, Wendie Margolis will review your short submission, then spend an hour with you by phone - you’ll pitch your story and share your vision and goals. Wendie will then provide you with insight into which market your story is best suited, and deliver a written strategic roadmap for how best to develop and market it to the film/TV
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  • Pitch a Producer

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    Pitch your book adaptation, film/TV idea, or script concept directly to Jesse Israel. If your application is accepted, Jesse Israel will review your short submission, then spend an hour with you by phone - you’ll pitch your story and share your vision and goals. Jesse Israel will then provide you with insight into which market your story is best suited, and deliver a written strategic road map for how best to develop and market it to
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  • Pitch A Producer

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    Pitch your book adaptation, film/TV idea, or script concept directly to Daniel Schnider. If your application is accepted, Daniel Schnider will review your short submission, then spend an hour with you by phone - you’ll pitch your story and share your vision and goals. Daniel Schnider will then provide you with insight into which market your story is best suited, and deliver a written strategic roadmap for how best to develop and market it to the film/TV industry. Do
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  • Pitch a Producer

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    Pitch your book adaptation, film/TV idea, or script concept directly to Whitney Beatty.

    If your application is accepted, Whitney Beatty will review your short submission, then spend an hourwith you by phone - you’ll pitch your story and share your vision and goals. Whitney Beatty will then provide you with insight into which market your story is best suited, and deliver a written strategicroadmap for how best to develop and market it to the film/TV industry.
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  • Pitch a Producer

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    Pitch your book adaptation, film/TV idea, or script concept directly to Wade Sheeler.

    If your application is accepted, Wade Sheeler will review your short submission, then spend an hourwith you by phone - you’ll pitch your story and share your vision and goals.Wade Sheeler will then provide you with insight into which market your story is best suited, and deliver a written strategicroadmap for how best to develop and market it to the film/TV industry.

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  • Pitch a Producer

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    Pitch your book adaptation, film/TV idea, or script concept directly to Van Partible.

    If your application is accepted, Van Partible will review your short submission, then spend an hourwith you by phone - you’ll pitch your story and share your vision and goals.Van Partible will then provide you with insight into which market your story is best suited, and deliver a written strategicroadmap for how best to develop and market it to the film/TV industry.

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  • Pitch a Producer

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    Pitch your book adaptation, film/TV idea, or script concept directly to Travis Fickett.

    If your application is accepted, Travis Fickett will review your short submission, then spend an hourwith you by phone - you’ll pitch your story and share your vision and goals.Travis Fickett will then provide you with insight into which market your story is best suited, and deliver a written strategicroadmap for how best to develop and market it to the film/TV industry.

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  • Pitch a Producer

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    Pitch your book adaptation, film/TV idea, or script concept directly to Todd Murata.

    If your application is accepted, Todd Murata will review your short submission, then spend an hourwith you by phone - you’ll pitch your story and share your vision and goals.Todd Murata will then provide you with insight into which market your story is best suited, and deliver a written strategicroadmap for how best to develop and market it to the film/TV industry.

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    $397.00$597.00 Use Promo Code


  • Pitch a Producer

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    Pitch your book adaptation, film/TV idea, or script concept directly to Sandy Stern.

    If your application is accepted, Sandy Stern will review your short submission, then spend an hourwith you by phone - you’ll pitch your story and share your vision and goals. Sandy Stern will then provide you with insight into which market your story is best suited, and deliver a written strategicroadmap for how best to develop and market it to the film/TV industry.
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